3/24/2023 0 Comments Audio tuner for blue snowball![]() ![]() Please see our Amazon Global Store Returns policy and Refunds policy for more information about returning Amazon Global Store items.Ĭamera, Electronics and PC Returns Policy Please see About Marketplace Returns & Refunds for details on Seller returns policies. To return faulty items see our Returning Faulty Items policy.įor items ordered on from a seller that fulfils and ships its own inventory (also called a third party seller), any returns will be in accordance with the returns policy set by that seller (not the Amazon AU returns policies). This change of mind return policy is in addition to, and does not affect your rights under the Australian Consumer Law including any rights you may have in respect of faulty items. Unless otherwise stated, original shipping fees for change of mind returns are not refunded. Please Contact Us and see About Items That Can’t Be Returned. In some circumstances, these items may be eligible for a refund or a replacement (for example, if you receive the wrong item due to an Amazon AU error or if the item is faulty). In some cases, the nature of the item means that it is non-returnable, for example, due to hygiene/health and personal care/wellness/consumable nature of the product. Every Snowball mic delivers precisely what you need to get the most out of your projects.You can return most new, unopened items fulfilled by Amazon AU within 30 days of receipt of delivery for a replacement or full refund of the price you paid for the item if you change your mind - see About Replacements and About Refunds. Host VoIP and conference calls without missing a single detail. Take your Twitch channel to the professional level with pristine audio. ![]() Snowball USB microphones are perfect for streaming live audio in stunning quality. It’s as easy as…well…rolling a snowball, and you don’t have to wear goofy mittens to use it. And rightly so-with Snowball and Snowball iCE, you can record and stream stunningly detailed audio as soon as you rip open the packaging and plug it into to your Mac or PC. The Snowball family’s excellent sound quality and easy operation make them the industry-standard USB microphones for podcasting and desktop recording. Want to get studio-quality audio quickly and easily? Done. ![]() Snowball iCE sports a single high-quality condenser capsule for vocal reproduction and Snowball utilizes a unique dual capsule design to ensure rich, detailed sound for any project. Snowball USB microphones bring the same Blue heritage that powers the world’s most elite studios and artists to your home setup, so you can achieve studio-quality sound on your desktop with ease. RECORD STUDIO-QUALITY VOCALS, INSTRUMENTS, PODCASTS AND MORE And the simple USB connection and plug-and-play operation means you don’t need any extra gear-just plug right in and start recording and streaming in amazing quality. Snowball and Snowball iCE feature industry-leading Blue condenser capsule technology to deliver natural sound directly to your desktop. THE MOST INTUITIVE USB MICROPHONES FOR ANY APPLICATIONĬapture studio-quality audio for vocals, music, multimedia production and gaming with Snowball-the world’s most popular family of USB microphones. Blue Microphones Snowball USB Mic With Stand and Cable - Electric Blue
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3/24/2023 0 Comments The silent age nightstickIn fact, the developers recommend using headphones to enjoy the soundtrack even more. The music and sound effects are also incredible, fully immersing us into the experience. Chapter 3 :: The Silent Age General Discussions. The graphics are simple and modern, using a minimalist style that fits in perfectly with this intriguing story. On the other hand, the technical side is one of the coolest aspects of this game. I feel like an idiot but can someone give me an idea what on earth I'm supposed to do in chapter 3 using carpet, wallpaper paste, and a nightstick I feel like I tried literally every combination with these items where it would make any possible sense. ![]() Use the rope on the tree branch and climb down. Now, go back up and go through the door you just unlocked. While, for the most part, the puzzles are easy, The Silent Age is very good experience, in the vain of point and click puzzle adventure games. Before you head in the door, go back downstairs to the ground floor and retrieve the noose from the corpse. In this way, we will have to touch and collect items that will let us keep moving forward as we explore the various scenarios. The Silent Age is very good experience, in the vain of point and click puzzle adventure games. To do this, we must interact with the various elements of the screen, as is usually the case with point and click games. Travel in time from the iconic 1970s to a desolate present tormented by silence. Our mission will be to accompany Joe as he jumps between the past and the present to try to stop the terrible events that will lead to destruction. To his horror, he discovers that the human race is extinct. nightstick forced into his anus and with He claims that a gay person who has. A outdrawn sequence that comes right after Lecter has whacked the guards. demonstrates the Catch-22 that has twenty boys between the ages of four. He gives him a time travel device and asks him with his last breath to change the destiny of humanity.ĭriven by curiosity, fear, and dread, Joe tests the mysterious time machine and travels 40 years into the future. Lecter beating a guard with a nightstick several times (reduced from 6 hits to 1). One day, he discovers a trail of fresh blood leading to a dying man. As a result this could set up a sequel for the game. ![]() Of course the other two seem to be scarred much worse than Joe ever was, and one of them does not trust anything in the year 2012. ![]() Joe is the janitor of a cold government building where he does his job as well as he can. Joe is awakened in 2012 after being asleep for decades, where he is cured, thanks to modern medicine, and is rehabilitated along with the two other cryo patients. Our adventure in The Silent Age starts in 1972, in the era of free love, sideburns, big mustaches, and exaggerated bell-bottoms. Even the most insignificant person can change the course of the future Only our humble protagonist has the tools to avoid disaster. Join Janitor Joe on this journey into a dystopian future where humanity has become extinct. The guys from the House of Fire studio offer us an excellent graphic adventure in a classic style that takes place between the past and the present. 3/23/2023 0 Comments Goldenratio rubber stampoIf you require a specific design that is not on our website, please contact us here at we will be happy to supply you with a custom stamp design. ![]() We have the most popular rubber stamp design styles with different fonts & colours on our online self inking, Pre Inked, Pocket, Rubber stamp designer, we have specialist software containing over 100+ designs. Failing that we can recreate any art but this is subject to an artwork charge if there is a lot of work involved. We are experts at improving images using our advanced software, if you would like us to try to recover some artwork for you simply email it to us and give a brief description of what you would like it to look like and will do our best. If your artwork is not saved in one of the above formats simply attach it to an e-mail and send it to. Please ensure you tightly crop your images as any white space around your artwork may be included in your rubber stamp size. Our online custom stamp designing software is compatible with jpeg, png and bitmap files. The designer then suggests the best Custom stamps for your design, you can also download a preview of your rubber stamp to see exactly what your finished impression will look like. You can see any changes to your design shown in real time as you create it. Insert your text, edit the font style and size, add a logo or artwork if required, then add a border and choose the ink colour. 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3/23/2023 0 Comments Software face morph age![]() Anyway, I’m certain it took a great deal of effort in programming, and a huge number of person-hours to create. Probably some of the old Sun SPARC workstations people were also using at the time to do the post-production on Jurassic Park (where each frame of the effects shots of dinosaurs would take a full 24 hours to render!). The answer of course was computers – very big ones, and lots of them. I can remember thinking to myself as a teenager “how did they possibly do that?”. These days, this kind of special effect is absolutely ubiquitous in movies, TV shows and commercials and barely warrants a second glance, but in 1991, it was amazing. Towards the end of the video a series of people of both sexes and of various ethnic groups are shown singing along with the song and the images of their faces morph into each other in series: The single is of some significance as it marked the beginning of Jackson’s descent from the firmament of music stardom into the spiral of musical mediocrity and personal weirdness which only ended with his death in 2009, but for the purposes of the present discussion it was interesting because of part of its accompanying video. In November 1991 Michael Jackson released the single ‘Black or White’ the first to be released from his eighth album ‘Dangerous’. Rather than talk about the very technical disciplines like brain imaging (which have of course advanced enormously recently) I thought it would be more fun to concentrate on an area of relatively ‘pure’ psychology, and one of the most important and fundamental cognitive processes which is present pretty much from birth face perception. As an example of the ways in which technology and psychology have developed together recently, I thought it would be fun to do a little case-study of a particular area of research which has benefitted from advances in computer software over recent years. 3/23/2023 0 Comments Simple recorder mouthpiece design![]() Nolle, “ Sinuous instability of a planar air jet: propagation parameters and acoustic excitation,” J. Criminale, “ Disturbance characteristics in a plane jet,” Phys. Joly, “ Radiation impedance of tubes with different flanges: Numerical and experimental investigations,” J. Pierce, Acoustics: An Introduction to Its Physical Principles and Applications ( McGraw-Hill, New York, 1981), Chap. Keefe, “ Acoustical wave propagation in cylindrical ducts: Transmission line parameter approximations for isothermal and nonisothermal boundary conditions,” J. Kergomard, Acoustique des Instruments de Musique (Acoustics of Musical Instruments) (Belin, Paris, 2008), Chaps. Hogendoorn, “ Jet formation and jet velocity fluctuations in a flue organ pipe,” J. Hirschberg, “ Physical modeling of flue instruments: A review of lumped models,” Acust. Caussé, “ Sound production in recorderlike instruments. Woodhouse, “ On the oscillations of musical instruments,” J. Hirschberg, “ Simplified models of flue instruments: Influence of mouth geometry on the sound source,” J. Hirschberg, “ Time-domain simulation of aeroacoustic sources in flute-like instruments,” J. (83)90287-0, Google Scholar Crossref, ISI Doak, “ Fluid dynamics of flow excited resonance part 2,” J. Howe, “ The role of displacement thickness fluctuations in hydroacoustics, and the jet drive mechanism of the flue organ pipe,” Proc. Howe, “ Contributions to the theory of aerodynamic sound, with application to excess jet noise and the theory of the flute,” J. linear theory for the operating stages,” J. Beavers, “ Fluid mechanics of the edgetone,” J. Elder, “ On the mechanism of sound production in organ pipes,” J. Fletcher, “ Sound production by organ flue pipes,” J. Fletcher, “ Jet drive mechanism in organ pipes,” J. Coltman, “ Jet drive mechanisms in edge tones and organ pipes,” J. Coltman, “ Sounding mechanism of the flute and organ pipe,” J. Benade, “ On the mathematical theory of woodwind finger holes,” J. Lyons, “ Resonance frequencies of the recorder (english flute),” J. Coltman, “ Resonance and sounding frequencies of the flute,” J. ![]() Rayleigh, The Theory of Sound ( Dover, New York, 1945), Vol. von Helmholtz, On the Sensation of Tones ( Dover, New York, 1954), Chap. 3/23/2023 0 Comments Paperless for mac 2.4.1![]() The system operates in a largely stateless fashion, with no need to save during operation. Such changes are immediately saved when complete, so typing into a field causes that text to be stored to the stack's physical file. ![]() From the HyperCard runtime's perspective, there is no difference between moving a text field on the card and typing into it, both operations simply change the state of the target object within the stack. Instead, the state of any object in the system is considered to be live and editable at any time. The database does not exist as a separate system within the HyperCard stack no database engine or similar construct exists. The database features of the HyperCard system are based on the storage of the state of all of the objects on the cards in the physical file representing the stack. The layout engine is similar in concept to a form as used in most rapid application development (RAD) environments such as Borland Delphi, and Microsoft Visual Basic and Visual Studio. This way, a stack of cards with a common layout and functionality can be created. Also, HyperCard includes prototype or template cards called backgrounds when new cards are created they can refer to one of these background cards, which causes all of the objects on the background to be copied onto the new card. They place GUI objects on the cards using an interactive layout engine based on a simple drag-and-drop interface. Users build or modify stacks by adding new cards. Users browse the stack by navigating from card to card, using built-in navigation features, a powerful search mechanism, or through user-created scripts. Each card contains a set of interactive objects, including text fields, check boxes, buttons, and similar common graphical user interface (GUI) elements. Cards hold data, just as they would in a Rolodex card-filing device. HyperCard is based on the concept of a "stack" of virtual "cards". It's let a lot of non-programmers, like me, into that loop. ![]() ![]() HyperCard has made it possible for people to do things they wouldn't have ever thought of doing in the past without a lot of heavy-duty programming. The beauty of HyperCard is that it lets people program without having to learn how to write code - what I call "programming for the rest of us". HyperCard was not ported to Mac OS X, but can run in the Classic Environment on versions of Mac OS X that support it. It was withdrawn from sale in March 2004, having received its final update in 1998 upon the return of Steve Jobs to Apple. HyperCard was originally released in 1987 for $49.95 and was included free with all new Macs sold afterwards. This combination of features – a database with simple form layout, flexible support for graphics, and ease of programming – suits HyperCard for many different projects such as rapid application development of applications and databases, interactive applications with no database requirements, command and control systems, and many examples in the demoscene. HyperCard includes a built-in programming language called HyperTalk for manipulating data and the user interface. HyperCard combines a flat-file database with a graphical, flexible, user-modifiable interface. It is among the first successful hypermedia systems predating the World Wide Web. HyperCard is a software application and development kit for Apple Macintosh and Apple IIGS computers. Macintosh: System 6, System 7, Mac OS 8, Mac OS 9 3/23/2023 0 Comments Ableton and expressive e touche![]() “I think the project went great,” he says. ![]() Those are all really important things and I feel really fortunate that I found tools to help me to do them.” “Getting down into it, getting sketches fired off as quickly as possible, listening to your gut, to your ears, feeling what you are doing and not second guessing yourself. “That ‘workflow’ was most important,” he replies. So what did he learn from the whole process? ![]() Jeremy completed each of the ten tracks in time by fleshing them out in the Arranger Mode in Ableton and then mastering each with various iZotope plug-ins. It makes me want to make music in-the-box again, which is saying quite a lot.” It turns my software ecosystem into, essentially, a hardware workstation. And on top of that – and this is something I didn’t expect at all – it was giving me auto-mapped controls to a ton of parameters for every instrument it loaded. “On top of that, it was giving me results for plug-ins in the AAS and Arturia family, which opened up all those instruments in a new way. Being able to search for virtually any sound with a variety of metadata options removed the tedium of having to load a specific plug-in and hope the thing I wanted was going to be included.” What I was not prepared for, was the depth of integration with not only NI but also the entire NKS family. I was expecting the S49 to be a sturdy controller with integration into the library aspects of the NI ecosystem. “In the way that Push enhances my Ableton workflow, so KOMPLETE KONTROL completely enhances my plug-in workflow. Halfway through the assignment, Jeremy added a KOMPLETE KONTROL S49 to his studio, which revolutionised the process. I found Output’s Exhale, a KONTAKT instrument, which is just all kinds of vocals – pads, snippets, one-shots, sliced phrases – so it is on almost every track.” “One of the things that got me excited about this project,” Jeremy continues, “was that I wasn’t allowed to use full vocals, only snippets. I assigned the eight controllers in MASSIVE to those on Push and saved that as a template to open up whenever I started a new sketch.” In the Ableton template I put instances of BATTERY onto the first two tracks and MASSIVE onto another track. “I also used an Expressive E Touché, a pedal which is really good for expressive playing. “I started my sketching in Ableton Live with Push 2,” he says of the compositional process. Grabbing well-constructed inspiration from a single Expansion allowed me to focus on getting ideas down quickly, without worrying too much about whether I was ‘doing it right’.” ![]() The number one thing they provided was a framework from which to start. “I chose these expansions based on the descriptions on the NI website and the demos,” Jeremy explains, “plus they all represent genres I love. Jeremy decided that the best approach would be to use one of the Expansions series – including ASTRAL FLUTTER, HALCYON SKY, SOLAR BREEZE, METEORIC RISE, TIMELESS GLOW, and HELIOS RAY – for each of the ten tracks, using presets from each and a template created in Ableton Live. Jeremy’s music came to the website’s attention due to the popularity of his music gear videos, as he explains. When he decided to combine his interests and produce videos about studio gear, it turned out to be a life-changing decision, as it has led to him making music professionally for none other than YouTube itself, The huge video hosting website now has its own music library for which it commissions composers to produce music, which can then be used by other video makers to soundtrack their work. Jeremy Leaird-Koch is a musician from Seattle who not only has a keen interest in the gear behind music production, but also in making videos. Here Jeremy explains how he put together an incredible ten tracks in just over four weeks. The only place you can enjoy it is on YouTube, as part of the website’s music library, which is a collection of royalty-free tracks that anyone can use on their videos. Jeremy Leaird-Koch is thrilled to announce the release of his new album, but it’s not one that you can stream on Spotify, enjoy on Bandcamp or buy as a CD. 3/23/2023 0 Comments Usps direct mail advertisingThis discount applies only to Marketing Mail.
3/23/2023 0 Comments Savage xr dead![]() ![]() SavageXR should be plainly installed in Application folder.Note: You need to perform a few steps before running the game. Open the au.cfg and change: downloadThreads "15" to downloadThreads "1", maxRetries "3" to maxRetries "6" Technical Support and Feedbackįor any other technical issues around Savage XR, check out the Newerth Support Forum. ![]() Auto-update errors also happen when your internet connection is too weak. If auto-update errors occur, make sure Savage XR has sufficient rights: run the autoupdater as adminstrator if you're on window vista/7/8/10 (right click -> run as administrator). Recommended: 2.4 Ghz or better, 512 MB RAM, GeForce4 or Radeon 8500+ (OpenGL 1.4), for Shader Support: GeForce6 or Radeon 9500+ (OpenGL 2.0+), Cable Modem, DSL or better, 1 GB of Free Harddisk Space Savage XR fails to update? Minimum: 600 MHz, 128 MB RAM, Radeon or GeForce Graphic Card, 56k Modem All development is voluntary and all websites, services and advertisements are sponsored by the community. There are no paid features and there is no locked content. Yes, Savage XR is 100% freeware and there's no signing up necessary. Savage XR is entirely free and non-profit! The aim of the game is to destroy the enemy base. Savage XR, the successor of the 2003 award-winning PC game Savage: The Battle for Newerth, takes the best of the Real-time Strategy, First-person Shooter and Third-person Action genres and blends it into a cohesive, complex and addicting experience. Be a Commander or a Warrior - RTS meets FPS 3/23/2023 0 Comments Xboard keyboard![]() The battery cover is included it was taken off to show that the battery function works. Missing one knob at one point a strap was affixed for some Keytar action. I was looking at starting a 49-key keyboard, already having 61 and looking for something more practical.Excellent working order last key on far right is inoperable, all other keys and all MIDI operations function perfectly. I finally took it for quick access to keys cranberry is a right of knobs. These buttons (depending on the soft configuratioin) access to 16 channels on the fly. No menu, no latency, with a button dedicate to each and no + /. This is extremely handy as a button on stage = one sound. It makes life easier.Įven better now, we can do is memorize each of these 16 locations presets 4 different channels, with different key ranges that overlap or not. And you can also configure ca live with one touch. The "sound = one button" becomes "a button = 4 layers". The buttons in question are of a very beautiful blue LEDs inside. It is very clear, it does not sting the eyes and it's convenient. ![]() If the app that allows you manage its presets to work, it is against a little time. Not really pleasant to use, nor very fast. The standard adjustment is not good, it is far too sensisble but after adjustment it going. ![]() The reactivity of keys on the other hand nothing to say. There are not accurate, does not look solid at all. I even plans to open the keyboard to fire them because they impede the transport.įew years that I have. No intensive use contrary to what was EXPECTED. I tried many other model (edirol, m-audio, roland, korg, cme, novationt, etc. This one is a good bargain price, possesses a very good touch, quick access to channels of the most convenient, and LEDs in the buttons just as convenient. The config is simple when you know the trick of the MIDI controller (for a "blue" it is always difficult at the start!)Īnyway I'm really happy (and yet I am rather "fussy")įrankly for the price plus Proteus X 1.5 comes with it's almost a giftĪbout Proteus X: great product that deserves to be explored (sound banks come with are pretty uneven, but this sampler is a very, very high performance that takes the trouble) I tried all the keyboards in a great store of Lyon (Comebackmusic) and frankly after a lot of time the top 3 were found:īut now that I have with me yet I do not regret:Ĭheaper than the Novation Remote (classic and SL) The editor software could be better now, and the knobs are not worth much. What is missing is an expression pedal and maybe a few buttons (but I'm doing with the buttons on my PC) E mu xboard 25 pro usb midi controller keyboard plus# Pitch and modulation wheels to the left of the keyboard. USB connector, MIDI out, pedal / footswitch and external power.ġ6 knobs, 16 buttons recalls preset, 4 buttons zone on / off.Ĭonfiguration Software E-MU Xboard Control comprehensive, its strong point. E mu xboard 25 pro usb midi controller keyboard software# It can be powered with an AC adapter, handy if you play only with the expanders (adapter not included). The key is very pleasant, synth-style, soft and firm at the time. Of course it depends on the tastes you must try. I have other brands of keyboards and much more expensive and whose keyboard is less well.
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